Antony and The Johnsons 'The Crying Light' album

Antony and the Johnsons have revealed the cover art for the forthcoming full-length, The Crying Light. Following a natural progression from the Another World EP, the album art features a 1977 portrait of renowned Butoh dancer, Kazuo Ohno, taken by Naoya Ikegami in Tokyo. Ohno is shown reaching towards light, his striking visage and reclined posture echoing elements of cradle and the grave. Life, death, and transcendence are effectively invoked in one image.

Antony says, "My new album "The Crying Light" is dedicated to the great dancer Kazuo Ohno. In performance I watched him cast a circle of light upon the stage, and step into that circle, and reveal the dreams and reveries of his heart. He seemed to dance in the eye of something mysterious and creative; with every gesture he embodied the child and the feminine divine. He's kind of like my art parent."

The Crying Light will be released on Secretly Canadian on January 20th followed by a series of US and European tour dates (dates below). The tour, which goes through the end of February, includes stops at the Big Ears Festival in Knoxville as well as the historic Vic Theatre in Chicago and the Berklee College of Music in Boston.

Antony and the Johnsons tour dates
02/02: Glenside, PA @ Keswick Theatre
02/03: Washington, DC @ Sixth & I Historic Synagogue
02/04: Columbus, OH @ Southern Theatre
02/07: Knoxville, TN @ Big Ears Festival
02/08: Atlanta, GA @ Variety Playhouse
02/12: Chicago, IL @ Vic Theatre
02/13: Milwaukee, WI @ Pabst Theater
02/14: Minneapolis, MN @ Pantages Theatre
02/17: Toronto, ON @ Queen Elizabeth Theatre
02/19: New York, NY @ Town Hall
02/20: New York, NY @ Town Hall
02/22: Boston, MA @ Berklee Performance Center
02/24: San Francisco, CA @ Nob Hill Masonic Center
02/27: Vancouver, BC @ Vogue Theatre
02/28: Seattle, WA @ Moore Theatre

Antony and the Johnsons biography
Antony and the Johnsons' breakthrough second album “I Am a Bird Now” (2005, Secretly Canadian) won the UK’s prestigious Mercury Prize in 2005. The success that followed introduced many to a pioneering soul singer unafraid to explore themes that traversed darkness and light, life and death, male and female. Antony’s inimitable voice sparked the interest of artists ranging from Bjork to Hercules and Love Affair, resulting in a series of critically acclaimed collaborations.

“The Crying Light” is the highly anticipated full-length follow-up to “I Am a Bird Now”. Here, Antony shifts the thematic focus and explores his relationship with the natural world. The intimacy of the Johnsons’ sound is enveloped by avant-classical composer Nico Muhly’s symphonic arrangements. The first moments of “Her Eyes Are Underneath the Ground” unveil an animist world in which the leaves are winking and the sun “...dances crystals in my eyes.” The joyful ricochets of “Kiss My Name” and the spiraling waltz of “Epilepsy Is Dancing” are to follow. The record’s centerpiece, “Another World” traces the singer’s despair in the face of a vanishing landscape. The striking vocal on “Dust and Water” seems to sooth the mind like an unfurling and pastoral “Everglade” concludes the album, Antony stepping beyond the confines of his loneliness and into the landscape to find that his “...Limbs (have) stopped Crying for Home...” Antony falls into a reverie and seems join the legendary Butoh dancer Kazuo Ohno, whose eerie portrait graces the cover of The Crying Light “.

Antony and the Johnsons’ music bridges the gap between avant-classical music and the blues, and the band’s sold out performances have resulted in standing ovations from Carnegie Hall to the Apollo. “The Crying Light” is a soul-stirring new work with its daring compositions and captivating vocal performances. The Crying Light may even become one of those albums that becomes emblematic of its time, a reflection of the momentous changes that we are facing, within each of our private worlds as well as collectively, and how we are summoning the courage to start moving through them.

press quotes
“Before the rapt audiences eyes (and within our delighted ears), Antony had become an unnamed creature in a freshly born world.” -Los Angeles Times, 10/15/08

“This isn't a heart breaking; it's a heart waking...” -The Oregonian, 9/8/2008

“Antony has moved on to a transformed sound still more beautiful. Joining him in the shadows was breathtaking.” –Evening Standard, 10/31/08

“This latest reinvention means his own legend is assured.” -UK Guardian, 11/3/08

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Antony and The Johnsons - The Crying Light