Bad Religion is currently surging forward with a renewed creative intensity. Their fourteenth album, entitled New Maps of Hell, (Deluxe Edition) (Epitaph-release date July 8th) is both a nod to the band's defiant past and an undeniable step forward in the evolution of a genre they helped to define. While many of the new songs are as brutally fast and unflinchingly heartfelt as anything the band has done before, the record is also filled with unexpected sounds, inventive rhythms and lush pop choruses.
An acoustic version of their single "Sorrow" is now impacting Alternative.
"I think we're reaching back to our roots as a garage band and doing some really aggressive music," guitarist and co-songwriter Brett Gurewitz says. "But we're also trying to look forward and write some really interesting new rock songs."
After some years away, Gurewitz has been back in the fold for the previous two records, Process of Belief and The Empire Strikes First, both discs widely accepted as a return to form for the veteran band. He is again accompanying his longtime friends, co songwriter and singer Greg Graffin and original bassist Jay Bentley. The (slightly) newer band members read like a punk rock all star team, with guitarist Greg Hetson of the legendary Circle Jerks and Brian Baker of hardcore pioneers Minor Threat. The latest addition being a startling young drum prodigy and sought after session drummer named Brooks Wackerman.
For this latest record, Bad Religion convened with renowned producer Joe Barresi at a downtown Hollywood recording studio just blocks from so many of the nightclubs and halls where the band first inspired legions of like minded young malcontents amidst the vibrant eighties Los Angeles punk scene.
"I think at heart, Bad Religion has always been anti establishment and about open mindedness," Gurewitz says. "Since we we're kids, this country has vacillated between varying degrees of anti intellectualism, machismo and religiosity - maybe now more than ever. And we write with a secular humanist world view which really goes against all that." This sentiment is echoed in his lyrics to the blistering state-of-the-art hardcore of Welcome to the New Dark Ages. As a frantic wall of guitars power a rousing sing along chorus, Graffin's surprisingly soulful voice calls out: 'Welcome to the new dark ages / I hope you're living right / these are the new dark ages / and the world might end tonight / So how do you sleep - there's nothing to keep. This is deep / because we're animals with golden rules who can't be moved by rational views.'
It is this world view which infuses so much of New Maps of Hell.
"Living in this world can leave you with a pretty bleak outlook," Graffin says, at the recording studio. "But then we still have that same naive hope we had as angry idealistic teenagers, that human beings will hear this music and think, 'This isn't right and I'm gonna do something about it.' There's a song called Requiem for Dissent on this record which is actually one of the more uplifting songs - the idea behind it being to try and raise the dead rebel from his grave."
"I think a lot of our fans are just angry nerds like us,"Gurewitz says. "And that's really who we write for. Being a humanist and an intellectual is about as rebellious as it gets these days."
"In the end we do this because we still care deeply about inspiring people," Graffin adds. "I know that may sound a little lofty, but the truth is when I was a teenager, music was only thing that gave me hope in this world."
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