Fat Possum Records is excited to announce that the Heartless Bastards are set to release their third record on February 3, 2009. The record is called The Mountain and was produced by Mike McCarthy (Spoon, Trail of Dead, Patty Griffin). The Mountain delivers the swamped-up rock howl that fans have come to love from the critically acclaimed Heartless Bastards, but it also weaves in an adventurous sonic evolution, expanding their three-piece rock palate by adding pedal steel, mandolin, banjo and strings, all in support of Erika Wennerstrom's transcendent voice that Rolling Stone once described as "channeling all the swagger and spit of a young Robert Plant."
In October 2007, Wennerstrom packed her bags and moved to Austin, TX, to write her new record, and work with producer McCarthy. In true ascetic discipline, she rented a meager apartment, locked herself inside, wrote for six months straight and came out with 11 songs that represent the evolution critics and fans have been anticipating for years. Once the album was finished, she immediately got to work on assembling a new band, searching for musicians who would help take her live show to a whole new level. After weeks of auditions, a serendipitous alignment of stars occurred, and she found what she was looking for. The two new members aren't Texas ringers, but fellow Dayton brethren Dave Colvin on drums, and Jesse Ebaugh on bass, who actually played on the original demo that hooked Fat Possum in the first place. The line up this fall will also include Bill Elm on lap steel, and occasionally Zy O.Lyn on violin. The new and improved Heartless Bastards are sure to leave fans reeling and wanting more.
Heartless Bastards biography
The Heartless Bastards' story starts in Dayton, Ohio, where Wennerstrom found the name on a multiple choice video trivia game at a bar.
As a songwriting teenager during a time when GBV and Brainiac were packing local bars and three of the Breeders were still in town, Wennerstrom used to sneak into clubs to check out the scene. "I would just see those people—my music heroes—hanging out at the bar like everyone else," she remembers. "I could see myself in them. It gave me inspiration to do my own thing."
After doing the usual business of playing local shows, the trio set out the following year on a regional tour. One of the first gigs of the trip took them to a bar in Akron, where Black Keys' drummer Patrick Carney just happened to be one of only a handful of people in the audience. This chance encounter led Wennerstrom and the Heartless Bastards to Fat Possum Records, with whom they released their debut, Stairs and Elevators, in early 2005.
The band moved on with critical praise in their back pocket, including a four-and-a-half star review from Rolling Stone, which took note that, when Wennerstrom “opens her throat on Stairs and Elevators … she sounds like she’s wailing on the shoulders of giants; her sad and angry vocals channeling all the swagger and spit of a young Robert Plant.”
All This Time, released during the summer of 2006, received even more widespread critical acclaim than Stairs and Elevators. The Bastards played hundreds of shows to support the record. They played huge festivals and toured with Wilco &Lucinda Williams. Wennerstrom’s songs appeared often on TV shows and in films. This would be measured by most as a huge success, but in Wennerstrom’s mind her sound and band were still evolving, and she knew it was time for a change.
In true ascetic discipline, she moved to Austin, Texas in 2007 for a change of inspirational scenery and a new recording project. With the help of producer Mike McCarthy (Spoon, Trail of Dead), she assembled a group of musicians with whom she gave the songs life and uncovered yet another layer of herself and the Heartless Bastards. The two new Bastards aren’t Texas ringers, but fellow Dayton brethren Dave Colvin on drums, and Jesse Ebaugh on bass, who actually played on the original demo that hooked Fat Possum.
The new album, entitled The Mountain, delivers the powerful howl that fans expect from the Heartless Bastards, but also weaves in adventure with mandolins, banjos, strings and Erika’s transcendent voice.
The Mountain is out February 3, 2009 and the band will tour its ass off.
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