Title: Dancethink LP
Release date: 27 March, 2009
Record label: Dancethink Records
Single:
Official website: My Dear Disco
Buy at: Amazon
01. White Lies
02. For Your Love
03. My Dear Disco
04. All I Do
05. Amsterdam
06. The Way
07. Madam Eon – Part One
08. Madam Eon – Part Two
09. M.Y.F. (Move Your Feet)
Home » m » My Dear Disco » Album» Dancethink LP
Emerging from the Ann Arbor suburb of Detroit, My Dear Disco has been cutting a path throughout the Midwest with its addictive self-branded style of “danethink” music which displays influences from Michael Jackson and Stevie Wonder to Daft Punk and Tom Waits. The band has kept busy in the studio as well, recently producing remixes of Kanye West’s “Love Lockdown” (MP3) and Franz Ferdinand’s “Ulysses” (MP3) that incorporate the band’s live instrumentation into each tune’s original tracks.
Known for its distinctive, “Dancethink Music,” My Dear Disco’s debut album Dancethink LP (watch the trailer HERE) has met with much critical acclaim since its release and the band’s unique sound and style has begun to make waves nationwide. The album features mixes by Grammy-nominated engineer Mark Saunders and his multi-platinum record generating studio in New York, the same people responsible for the sound of Shiny Toy Guns’ We Are Pilots, Tricky’s Maxinquaye, David Byrne’s Feelings, and The Cure’s Wish. Additionally, the band’s high energy, inventive live shows have been generating hard-fought praise all their own (see the band perform “White Lies” LIVE.)
In 2008, My Dear Disco was named one of the most promising bands in the country by American Eagle’s “New Music Union” and was invited to perform at the American Eagle Summer Festival, curated by Anthony Kiedis of Red Hot Chili Peppers. This resulted in a fully-stocked summer 2008 festival schedule where the band performed alongside artists such as Lotus, Moe, Buckethead, and Bela Fleck. My Dear Disco continues on the road and will hit the festival circuit once again in the summer of 2009, in full-flight, following its “Dancethink Music,” wherever it takes them.
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My Dear Disco tour dates
03/26 Iowa City, IA @ The Mill
03/27 Minneapolis, MN @ Triple Rock Social Club
03/28 Madison, WI @ High Noon Saloon
04/03 Marquette, MI @ Up Front & Company
04/04 Marquette, MI @ Up Front & Company
04/10 Ann Arbor, MI @ Neutral Zone
04/11 Ann Arbor, MI @ The Blind Pig
04/16 Bowling Green, OH @ Howard's Club H
04/18 Kalamazoo, MI @ The Strutt
04/24 East Lansing, MI @ Club Rush
05/08 Chicago, IL @ The Gallaria Marchetti
05/09 East Lansing, MI @ Club Rush
05/14 Chicago, IL @ Empty Bottle
05/15 Terre Haute, IN @ The Verve
05/16 Detroit, MI @ The Magic Stick
05/22 Geneva, MN @ Bella Madre - Harmony Park
05/24 Thornville, OH @ Hookaville Festival
press quotes
“...those with a taste for dance-rock inspired by 1980s sounds and heavy synths, take note.” – XLR8R.com
“My Dear Disco is a force to be reckoned with! I hope any follow-up to their Dancethink LP is as grossly enjoyable and engaging. A feat these days, to make something this good. I want more!” – about.com
“...chock full of deliciously smooth, synth-laden beats designed to send listeners swirling and whirling about on the dance floor.” – My Old Kentucky Blog
My Dear Disco biography
A year and a half after it's inception, My Dear Disco has already earned a permanent place in the incredible lineage of bands that have emerged from the Ann Arbor music scene; bands like Funktell, Cloud 9, Tally Hall, Nomo, and the Macpodz.
Known for their distinctive, "DanceThink Music," their debut has been meet with critical acclaim since it's release in 2007, described as, ". . . at once a psychedelic exercise and a grasp at the Top 40," (CD Reviews.com), "Ultimately the successful delivery of many musical variables, tastes, and influences into one final product . . . " (The Sentinal-Tribune), and " . . . from Michael Jackson and Stevie Wonder to Daft Punk and Tom Waits." (The Battle Creek Enquirer).
With music featuring electrified Irish Bagpipes, and a line-up including a two-time International Acoustic Music Award winning composer, a three-time World Champion instrumentalist, a first place Michigan Idol winning singer, and two first place M-Block Records "New Music on the Block" winning recording artists, their live show has been hailed as ". . . one of the must see acts in Detroit and Ann Arbor," (The Detroit Fashion Pages).
Their recent full-length, DanceThink LP, features mixes by Grammy-nominated engineer Mark Saunders and his multi-platinum studio in New York, the same people responsible for the sound of Shiny Toy Guns 2007 Warner Brothers release We Are Pilots, Tricky's Maxinquaye, David Byrne's Feelings, and The Cure's Wish.
On May 15th, 2008 the band was named one of the most promising bands in the country by American Eagle's New Music Union. As a result, they were invited to perform at the A.E. Summer Festival, curated by Anthony Kiedis of Red Hot Chili Peppers.
Coming off of a fully-stocked summer schedule -- including (in addition to the A.E. Festival) BlissFest, Hoxeyville, Dunegrass, Feel Good Festival, The Jazz Aspen Snow Mass, and Nelson Ledges, alongside artists such as Lotus, Moe, Bucket Head, and Bela Fleck -- My Dear Disco is in full-flight, following their "DanceThink Music," wherever it takes them.
My Dear Disco band members biography
Tyler Duncan: In 1999 and 2000, Tyler Duncan won the All-Ireland Championship (the World Championships of Irish Music) on the uilleann pipes -- the first American to win the All-Ireland on that instrument. In 2001, he won the All-Ireland on the bodhran -- the first American to win an All-Ireland on that instrument as well. In 2005 and 2006, he won two International Acoustic Music Awards with the band Millish for their debut album. He is featured on the Downbeat Award-winning self-titled album by the Kruziki Trans-Atlantica Quintet, on the Emmy award-winning Kitty Donohoe's Album This Road Tonight, on the Unity award-winning Ceili Rain's latest album Whatever Makes You Dance, including the recent #14 hit "Kneeling," and plays a featured solo on the recent Jazziz Magazine music compilation. He has also been a featured soloist for the Ann Arbor and Ashland Symphony Orchestras. Upon turning 16, Tyler composed, arranged and performed the score for an original Irish musical comedy, The Changeling, produced by Wild Swan Theater in Ann Arbor. Upon turning 18, Tyler helped design a new chromatic Low Whistle, with which he became the first Low Whistle player ever to be accepted into a university music program, becoming a jazz studies major at the University of Michigan. His recent big band arrangement of "The May Morning Dew" has been featured on NPR and the prestigious International Assocation for Jazz Educators conference.
Theo Katzman: Multi-instrumentalist and singer Theo Katzman was born to the highly acclaimed bebop musician Lee Katzman (former member of the Benny Goodman Band, SuperSax, The Baha Marimba Band, and many more).
After hearing the music of Led Zeppelin, Theo was inspired to begin playing the drums. Several years later, he began singing and playing guitar, and quickly formed his own group as lead vocalist/guitarist, with whom he produced and released a full-length album. Desiring to further his understanding of rhythm, groove, melody, and harmony, he began to explore Afro-Cuban music with the legendary New York percussionist Richie Rodriguez (former percussionist with Tito Puente).
Theo now holds a BFA in jazz percussion from the Jazz and Contemplative Studies program at the University of Michigan. His experience on drumset has set the foundation for his rock-solid, groove-heavy rhythm guitar in My Dear Disco. An established sideman in the Ann Arbor/Detroit area, Theo is also the lead singer/guitarist/songwriter for the band Red Arrow Highway.
Mike Shea: As a child, Mike Shea's first passion was Irish dancing. He competed in --and won--numerous local, regional, and national competitions, including the Mid-America Championship, which earned him a place in Ireland's World Championship competition. Soon after, Mike discovered his true passion in life: drums. He immediately began studying privately, and quickly became interested in all other forms of percussion. In high school, his marching band won the Grand National Championship in 1999. Mike recently graduated from the University of Michigan with a degree in percussion performance. He has performed nationally, and internationally, in orchestras, concert bands, marching bands, world percussion ensembles, musicals, jazz bands, and multiple rock projects. He now teaches privately, is a freelance drummer and percussionist, and a full-time member of the popular Ann Arbor band My Dear Disco.
Michelle Chamuel: Michelle Chamuel began singing and experimenting with musical
instruments at age 4. In 2001, Michelle attended Oberlin's intesive TAMARA Computer Music program -- soon-after, she recorded and self-produced an album of all original music.
This album gained Michelle acceptance to the University of Michigan's highly competitive Performing Arts Technology (PAT) program -- one of the first degree programs of it's kind.
There, Michelle's received first prize for her performance in the Michigan Idol competition, and shortly there-after, first prize in the M Block Records (The University's record label) New Music on The Block competition for the composition, "My Dear Disco," which she wrote with band-mate Robert Lester.
Michelle's unique combination of vocal virtuosity, compositional vision, and technical savvy has given her the ability to flourish in many musical settings: from an intimate piano and voice recording, to the complex and demanding task of composing for a theater commission, to the live, high-energy dance music of My Dear Disco.
Joey Dosik: Joey Dosik is a Saxophonist and Keyboardist with roots in jazz, soul and afrobeat. Growing up in Los Angeles, he began to learn jazz from a wide variety of creative musicians, including members of the Pan Afrikan People's Arkestra, and the Cal Arts improvised music scene. From 2003-2004 he played in the Henry Grimes Group with Nels Cline (current member of Wilco), Alex Cline and Vinny Golia, among others. He now resides in Ann Arbor, MI where he is set to complete his degree in Jazz and Contemplative Studies in April of 2008. In his time at the University of Michigan, he has organized concerts with Arthur Blythe and his own power trio from Los Angeles, while also playing with Oliver Lake, Steve Coleman and Nicole Mitchell. He is also a member of the Ann Arbor/Chicago group NOMO, an afrobeat/soul configuration with the Ubiquity label. 2008 should be a musically rich year for Joey as he plans to release an album and tour with the Ann Arbor DanceThink group, My Dear Disco.
Christian Carpenter: Bassist Christian Carpenter holds a degree from the innovative Jazz & Contemplative Studies program at the University of Michigan, where he studied with Bass legends Robert Hurst, Dianna Gannet, and Marion Hayden. Equally adept on Electric, Fretless, and Upright, Christian he has been involved in a number of Musical Theater Productions, Rock Outfits, Jazz Combos, and Folk/Singer-Songwriter groups. Do to his wide range of experience and versatility, Christian is equally at home supporting a four piece drum ensemble or a classical soprano saxophone piece. Now a member of the successful band My Dear Disco, Christian hopes to continue pursuing a creative and unconventional career as a professional musician.
Bob Lester: In the spring of 2008, Robert Lester graduated from the University of Michigan School of Music with a Bachelor of Fine Arts in Performing Arts Technology. Throughout his time at Michigan, he maintained a dedicated focus on performance and instrumental techniques, as well as utilizing the compositional and technological resources that the University of Michigan is known for. He studied privately with Detroit jazz-bassist Marion Hayden and renowned classical soloist Diana Gannet for several years, and recently has been putting his music education to hard work as guitarist, producer, and songwriter with the popular Ann Arbor dancethink band My Dear Disco. In 2007 Robert was one of a handful of students awarded a grant by the Undergraduate Research Opportunities program in the Humanities to pursue a summer of research and development of electronic music performance instruments and controllers. Robert, with his diverse musical education, ranging from classical theory, to improvisation, to electronic composition, sound recording, and even electronic music instrument design, brings something fresh into any musical situation he enters. He is a true musical mad-scientist, breaking boundaries and forging new paths with his music and his craft, whether it's writing music, recording it, producing it, or inventing a new instrument to make it on.
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