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Sam Roberts, the man Esquire called the “best live frontman in music,” has completed work on his latest album, ‘Love At The End Of The World.” His third record, and first with Rounder, it's set for U.S. release February 17th, 2009. Critics around the country marvel at his “anthemic powers” (USA Today), and how he and his band play “with such focused energy and urgency, it sounds as if their very life depends on it” (Boston Globe).

On ‘Love At The End Of The World, ’ Roberts continues the peerless song craft and leave-it-on-the-stage ethos that so impressed critics the last time out. Standout tracks include “Them Kids” and the album’s closer, “Detroit ’67.” The drums on “Them Kids” chug forward relentlessly, complemented by guitars ringing like bells in true Johnny B. Goode fashion - but don’t ask for whom those bells toll. As Roberts says: “This song is a portrayal of a musician’s existential crisis, wondering how much longer he is still going to be able to hang onto the career he has worked so hard for. As the kids’ tastes change, you feel they are turning their backs on the true path, on all the things that are great about rock & roll music. The question is, will they forget you too?”

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