The Almost 'Monster Monster' album

Rock band The Almost have created a Monster. Monster Monster is the five-piece rock group’s sophomore album, the follow-up to 2007’s Southern Weather, which scored a #7 Modern Rock single in “Say This Sooner,” a slot on MTV’s prestigious Discover & Download program and a quartermillion in sales after debuting in the Top 40 on the Billboard Top 200 with 29k+.

Formed by Underoath drummer Aaron Gillespie along with guitarists Jay Vilardi and Dusty Redmon, bassist Alex Aponte and newest member, drummer Joe Musten, The Almost’s Monster Monster represents the culmination of two years of touring, with the resulting disc a melding of the group’s individual talents into a truly collaborative effort. Before the release, The Almost will release a new video to fans, which will be followed by their lead anthemic rock single “Hands.”

The album is slated for release on Nov. 3, but will be preceded by a Limited Edition five-track EP entitled the Monster EP, featuring three album cuts and two B-sides. The EP will be available on Oct. 6 exclusively at Hot Topic stores, the band’s website, as well as on the band’s upcoming tour. The limited edition EP - which will have five different covers and the full album packaging for Monster Monster- will include two CDs, one of music and a second disc. The version streeting on Nov. 3 will not include the special five-cover packaging or the Limited Edition EP. During the tour, the band will make stops at select Hot Topic stores for exclusive in-store performances and signings.

Gillespie, who played all the instruments on The Almost’s first album, is thrilled the way the group began to mesh on Monster Monster, and the band itself is raring to go out and play the new songs for their rabid, loyal fan base.

“This now feels like a real band,” he says. “Everyone gave up a piece of his own agenda for the good of the final result. And that’s how you end up with something special. They supplied the bricks and we built this house together.”

The Almost begin their own headlining tour Sept. 23 at the State Theater in St. Petersburg, FL. through Oct. 6 at SOMA in San Diego, CA, with The Used jaunt beginning the very next day, Oct. 9, in Las Vegas.

“We plan on hitting it as hard as we can,” says Vilardi. “We’d like to leave and not come back for two years.”

The Almost tour dates
Sep 23 State Theatre St. Petersburg, FL
Sep 24 Culture Room Ft. Lauderdale, FL
Sep 25 The Venue Gainesville, FL
Sep 26 Finlay Park Columbia, SC
Sep 27 The 7 Venue Douglasville, GA
Sep 29 Visulite Theatre Charlotte, NC
Sep 30 ROCKETOWN Nashville, TN
Oct 1 New Daisy Theatre Memphis, TN
Oct 2 Bricktown Ballroom Oklahoma City, OK
Oct 3 Zombie’s San Antonio,TX
Oct 5 Club Congress Tucson, AZ
Oct 6 Soma-Sidestage San Diego, CA

Supporting The Used:
Oct 9 House of Blues Las Vegas, NV
Oct 10 Salt Air Theatre Magna, UT
Oct 11 The Fillmore Auditorium Denver, CO
Oct 13 The Myth St. Paul, MN
Oct 14 Beaumont Club Kansas City, MO
Oct 15 Riviera Theatre Chicago, Il
Oct 17 The Fillmore-Detroit Detroit, MI
Oct 18 Pageant St. Louis, MO
Oct 20 Kool Haus Toronto, ON
Oct 21 Metropolis Montreal, QC
Oct 23 House of Blues Boston, MA
Oct 24 Crocodile Rock Allentown, PA
Oct 25 Sonar Baltimore, MD
Oct 27 Roseland Ballroom New York, NY
Oct 28 Electric Factory Philadelphia, PA
Oct 30 House of Blues Myrtle Beach SC
Oct 31 (orl)House of Blues Lake Buena FL
Nov 1 The Tabernacle Atlanta, GA
Nov 3 House of Blues New Orleans, LA
Nov 5 House of Blues Dallas Dallas, TX
Nov 6 House of Blues Houston Houston, TX
Nov 7 La Zona Rosa Austin, TX
Nov 9 Marquee Theatre Tempe, AZ
Nov 10 The Wiltern Los Angeles, CA
Nov 11 Warfield Thatre San Francisco, CA
Nov 13 Showbox SoDo Seattle, WA

The Almost biography
“If I were a monster/Would you wince when you looked at me?/If I were a freak/Would
you stare?/If I were a leper/Would you say unclean/If I was alone… Would you help me
get free?”

A Monster Monster is on the loose.

The Almost’s second album for Tooth & Nail /Virgin Records began taking shape just as soon as the band came off the road after touring for their 2007 debut, Southern Weather, including a stint on that summer’s Warped tour.

That album, which debuted at #39 on Billboard’s Top 200, earned them a Top 10 singleat Alternative radio, and a spot on MTV’s Discover & Download, was essentially the work of a single individual—Underoath drummer Aaron Gillespie, who wrote all the songs, played all the instruments and then recruited a band to play them live, starting with fellow Floridian Jay Vilardi, a veteran of several well-known area bands like Metal Blade’s Phoenix Mourning and Orland-based Hand to Hand.

“My job was to teach everyone the songs,” explains Vilardi, who describes himself as the band’s musical director. The addition of Philadelphia-based guitarist Dusty Redman, himself a veteran of Tooth & Nail bands like Beloved and Dead Poetic and Salt Lake City bassist Alex Aponte rounded out the line-up.

The now thoroughly road-tested band was intent to make their latest a completely collaborative effort, melding their talents into a whole that was more than the sum of its individual parts. The process began with Vilardi, Redmon and Aponte e-mailing files back and forth to Gillespie, who was busy penning lyrics and coming up with musical ideas of his own while touring with Underoath, before all four of them got together in the studio to jam and work out the arrangements.

It was a system that resulted in a powerfully cohesive album that melds their diverse songwriting skills, from the thudding, Raw Power-like stomp of the title track and “Young Again,” to the stark acoustic blues and closing psychedelic jam of “Monster,” the techno-rock laced with tribal drums of “Books and Books” and the melodic Coldplay/U2/Kings of Leon arena-rock anthem, “Hands.”

“It turned out to be a really good process because we wound up with a tremendous amount of material we can use,” says Vilardi.

“We jammed on these tracks for hours before we actually laid anything down,” nods Gillespie. “This now feels like a real band. Everyone gave up a piece of his own agenda for the good of the final result. And that’s how you end up with something special. It was a relief for me because it took a lot of the weight off my shoulders. They supplied the bricks and we built the house together.”

The guys also enlisted the help of steel guitarists Chris Scruggs (grandson of bluegrass legend Earl Scruggs) and John Davis (Superdrag vocalist/guitarist) while in the studio. Both Scrugg and Davis helped they guys broaden their musical pallets on a few tracks like “West” and “Hand Grenade.”

“It was whatever each of us could do for the song,” agrees Redmon. “There were no ego issues, no one screaming, ‘I’m Eddie Van Halen!’”

Gillespie says the songs are about the dark side of the human condition, battling your demons to come out the other side, starting with the album’s title.

“I’m giving in to you,” he roars in “Lonely Wheel,” though in “No I Don’t,” which segues from an acoustic beginning to an anthemic rock chorus, he admits, “I’m learning how to wait.” The hard-hitting “Young Again” and the country-flavored “Hand Grenade” (“Oh to be young/It sounds like so much fun”) are both about lost innocence, while “Souls on Ten,” with its piano flourish and urgent intensity, has a Springsteen feel and the grungy garage-rock of “Summer Summer” offers an elegiac nod to vintage Neil Young with Crazy Horse.

“It didn’t start out as a concept album, but by accident, I think it became one,” says Aaron. “It’s about the ‘monster’ that lives inside of all of us, which we have to fight to get rid of. It’s a battle you live with every day. In the end, when that stops, the question remains, can you now life your life? Can you get all of who you are, can you find a place that makes you happy?”

That catharsis comes across loud and clear in the final song on the album, dubbed “Monster,” which starts with Gillespie alone, accompanied by a single dobro. “Learning how to see/In this weird change of space/I’m learning to believe in this life... I feel you helping me.” The song builds until, about two-thirds of the way through, the rest of The Almost come in, embarking on a spontaneous acid-soaked jam, recorded live, that provides the ultimate release.

“Everybody needs that,” says Gillespie. “For some people, it’s drinking, others run, some throw baseballs. I play music. That’s what I do. That gets rid of the garbage in my life.”

“It’s about how terrible we can be at times,” says Vilardi. “It’s hard to be a person today who stands for something. It doesn’t make you better... sometimes it even makes you worse.”

On “Hands,” the band prove they can create an arena- and radio-ready rock anthem, with its martial beat, chiming keyboards and lush ‘80s new wave fizz.

“It’s like an Achtung Baby vibe,” nods Dusty. “That song came out of nowhere. We demoed it, then got into the studio and started playing it and just got real excited.”

“I like working with a song structure,” says Gillespie. “In Underoath, that’s not what we do. We create moments, which is important, but The Almost is something different.”

“Monster Monster” and “Young Again” demonstrate Jay and Dusty’s love of classic garage punk, like the Stooges and the Velvet Undergound. “We really want to put the middle finger back in rock,” says Vilardi. “We love the attitude of bands like Guns N’ Roses.”

And that’s strange, because it turns out that rebellion doesn’t conflict with being on Tooth & Nail, where the support of community is almost as important as the religious implications.

“Music should reflect who you are,” says Aaron. “I believe there’s hope in finding who you are. That’s my conviction. At the same time, I want anybody, no matter their affiliation, to react to the music in the same way. I don’t want people to feel they’re being judged.”

With the addition of drummer Joe Musten (Gillespie played all the drums on the album), The Almost is ready to hit the road and do what they do best, play for their increasing fan base around the country.

“We plan on hitting it as hard as we can,” laughs Vilardi. “We’d like to leave and not come back for two years.”

“We’re just beginning now to establish our identity,” concludes Dusty. “There were a lot of people now who are finding out about Underoath through The Almost.”

Now there’s a transformation for you.

Aaron Gillespie: vocalist/lyrics/guitar/drums
Jay Vilardi: guitars
Dusty Redmon: guitars
Alex Aponte: bass
Joe Musten: drums

Do you also would like to share your opinion? If so, please register or login here.

Details

Popular Songs

New Songs

The Almost - Monster Monster