The Submarines 'Honeysuckle Weeks' album

As one excitingly hectic year comes to an end for THE SUBMARINES, another begins. The duo will kick off 2009 with a co-headline tour alongside The Morning Benders. The 23-city trek begins on January 31 in Costa Mesa, CA and ends on March 1 in San Diego, CA, with the two bands trading off closing duties each night.

THE SUBMARINES released their sophomore full-length album HONEYSUCKLE WEEKS earlier this year to critical acclaim. Paste Magazine stated, "John Dragonetti and Blake Hazard jam a wealth of sonic textures-all designed with stunning clarity and obvious focus-into the album's 10 songs," and Metro NY called it "the soundtrack of the summer." They received praise and were featured in publications like ReadyMade, Filter, VenusZine, Magnet, Performing Songwriter and Time Out NY, and landed on the cover of LA Weekly.

Over the last six months, songs from the album have appeared in major TV shows like Gossip Girl, Grey's Anatomy, The Hills, Privileged and the music-infused film Nick and Norah's Infinite Playlist (where they also landed on the soundtrack). Currently, the track "You, Me and the Bourgeoisie" is being used in the re-vamped iPhone 3G commercial, with album art, artist name and lyrics used to demonstrate the "Shazam" music application on the phone. This new use has caused a huge spike in digital track and album sales for the band, leading to their debut two weeks ago on the Billboard Alternative Chart and Heatseekers Chart. The album continues to rise this week, sitting at #19 on the Alternative Chart and #62 on the Heatseekers Chart.

Additionally, the duo has been featured on iTunes numerous times, from the "Hot Indie Rock" list to the "Rising Stars of Alt Rock" list; they have also had homepage features on YouTube, AOL, Yahoo, Spin.com, Style.com and USA Today's Pop Candy, and performed on shows like Fuel TV's "The Daily Habit," TV Guide's mVids and ABC News Now.

The couple spent the summer and fall on the road, both on their own headline tour and as support for such artists as Aimee Mann and The Brazilian Girls. They'll continue the pattern through the winter as they share the spotlight with The Morning Benders, who released their debut full-length album Talking Through Tin Cans earlier this year and toured the US over the summer as main support for the Kooks.

On December 5, The Submarines will play their last show of the year in their hometown of Los Angeles at The Echoplex.

Submarines tour dates
12/5 Los Angeles, CA @ The Echo

With The Morning Benders

1/31 Costa Mesa, CA @ Detroit Bar
2/1 Tucson, AZ @ Club Congress
2/3 Austin, TX @ Stubbs
2/4 Dallas, TX @ House of Blues-Pontiac Garage
2/6 Atlanta, GA @ Drunken Unicorn
2/7 Chapel Hill, NC @ Local 506
2/8 Washington, DC @ Black Cat Backstage
2/9 Philadelphia, PA @ Johnny Brendas
2/10 New York, NY @ Mercury Lounge
2/11 Brooklyn, NY @ Bell House
2/13 Boston, MA @ Middle East
2/14 Montreal, QC @ El Motore
2/15 Toronto, ON @ Drake Hotel
2/17 Chicago, IL @ Schubas
2/18 Minneapolis, MN @ Triple Rock Social Club
2/20 Denver, CO @ Hi Dive
2/21 Salt Lake City, UT @ Kilby Court
2/23 Vancouver, BC @ Biltmore Cabaret
2/24 Seattle, WA @ Chop Suey
2/25 Portland, OR @ Doug Fir

The Submarines biography
John Dragonetti and Blake Hazard recorded Honeysuckle Weeks, their second album as The Submarines, as summer vines blossomed and the sun coaxed green grasses up around the stones leading from their East LA home to their garageturned-home-studio. Honeysuckle Weeks weaves together themes drawn from their immediate surroundings and experience: the garden outside, and the push and pull of life and love inside.

After touring behind their debut, Declare a New State, in the US and Europe, The Submarines were ready to make an album that felt good not only to record but to play in a live setting. “Our first album was hugely cathartic for us to make, dealing with a breakup and getting out the sorrow, but we’ve been ready to freak out and have a lot more fun this time around. We’re thankful not to have to make that record again, to be in a better place,” says Hazard. Honeysuckle Weeks also marks the duo’s first album made collaboratively; Declare a New State was written separately during a breakup and recorded upon their reunion.

Sonically, Honeysuckle Weeks is a glorious collage of The Submarines’ wide-ranging influences, from old-school dub (most evident in tracks like “1940” and “Fern Beard”) to intricately layered electronica (as in the psychedelicclassical “Submarine Symphonika” and “The Thorny Thicket”) to vintage pop (as on “Swimming Pool” and the Santaria-inspired “Xavia”). While some songs started with a traditional guitar-in-hand approach, many began with instrumental tracks composed by Dragonetti, which Hazard then completed with words and melody, drawing on each of the their musical strengths. Dragonetti--who masterminded the recording--says, “The glitch is enjoyable, but so are the Beatles, so I just try to follow what the song calls for.” The duo was also joined on a number of tracks by the phenomenal Section Quartet.

The record is as diverse in theme as it is in sound. The time-warped “1940” conjures the things that go bump! in the night, while “The Wake Up Song” portrays a couple’s start to the day--the act of preparing to leave the house, setting the stage for relationship dynamics. “You, Me and the Bourgeoisie” addresses the need for social consciousness, while acknowledging the hypocrisies inherent in our own contemporary lives. The most prevalent theme in the record, however, is the garden. Whether it’s thorns wrapped around the heart in “The Thorny Thicket” or plants taking back the city in “Fern Beard,” the leafy tangle surrounding The Submarines’ studio made its way into the songs with a fresh energy. The days when the garden grew while the album blossomed were The Submarines’ Honeysuckle Weeks.

Honeysuckle Weeks will be released on May 13, 2008 through Nettwerk Records.

previous The Submarines information
Indie-pop duo THE SUBMARINES will release HONEYSUCKLE WEEKS, the follow up to their 2006 debut Declare A New State!, on May 13, 2008 through Nettwerk Music Group. The band will perform new material as part of NPR affiliate KUT's SXSW showcase on Friday, March 14.

Honeysuckle Weeks marks the first time that The Submarines - John Dragonetti and Blake Hazard - collaborated as a duo from start to finish (Declare A New State! was written separately during a breakup and recorded upon their reunion.) The new album, which was recorded in the band's East LA garage-turned-home-studio, draws together themes from their immediate surroundings and experience: the garden outside their home studio, and the push and pull of life and love inside.

"Our first album was hugely cathartic for us to make, dealing with a breakup and getting out the sorrow, but we've been ready to freak out and have a lot more fun this time around. We're thankful not to have to make that record again, to be in a better place," says Hazard.

Honeysuckle Weeks is a glorious collage of the duo's wide-ranging influences, from old-school dub (most evident in tracks like "1940" and "Fern Beard") to intricately layered electronica (as in the psychedelic-classical "Submarine Symphonika" and "The Thorny Thicket") to vintage pop (as on "Swimming Pool" and the Santaria-inspired "Xavia").

Upon the success of Declare A New State!, which Filter described as "beautiful, sparkling tunes immersed in optimism, yet never lacking depth" and LA Weekly called "remarkable... soul-baring lyrics set to buzzy, hooky indie-pop." The Submarines spent most of 2006 on the road in the US and Europe as both headliners and support for bands like Ladytron, Nouvelle Vague, El Perro del Mar and more. Along with multiple television syncs, the band was asked to record a version of "Little Boxes," the theme song to the Showtime Emmy-nominated series Weeds, in the shows second season. The year culminated when Ryan Murphy. creator of the FX hit series nip/tuck, discovered The Submarines while listening to NPR on KCRW in Los Angele. He approached the band about featuring the track "Brighter Discontent" in a pivotal scene in the season four finale where cast members lip-synched to the song in its entirety; the scene has since been the subject of some well-traveled nip/tuck fan renditions ! on YouTube.

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